Entries in dj quik (5)
Justa's Top 10 Albums 2011
Wednesday, December 14, 2011 at 12:01PM The Top on this list was rotated a lot before I reached a definite conclusion. There are even some which I had to leave out cause I doubt that anyone wanted to read about 20 albums. So yeah here are my favorite albums this year.
2011 Top Ten Albums of the Year:
10. Frank Ocean- nostaliga/ultra
Odd Future was the talk of the town already when this dropped, and at that point I was trying to take in all 12 albums of whatever else the group had previously released. Yet, this kept appearing in my Tweet stream, so I felt forced to check it out. I knew nothing about it besides the fact that the cover is something that I would for sure see on Pitchfork, PMA, or some other hipster music sort. When hit my ears, there was a feeling that feeling that this was going to be something different from the get go.
It’s the same ole’ stories(heartbreak, self-reflection, falling in love) but from a truly different voice. I can mess with this for the fact that it’s not dumbed down. Take for example Songs For Women, instead of just saying that a girl who played him, he makes a about why he is singing about the heartbreak now, and does she like him like Drake or Trey Songz? That’s called irony, unlike the song by Alanis Morrisete which had little to do with being ironic itself. It’s just one of the many examples of the genius of his pen. Definitely a strong early showing from the Odd Furture representative.
9. Phonte-Charity Starts At Home
From beginning to end of this album I often find myself pressing that infamous back button upon every listen. As a fan of Little Brother, and now a fan of The Foreign Exchange, and cameos here and there, I really didn’t feel like there wasn’t anything I wasn’t getting from Phonte as an artist already. Though satisfied with his past and present output, this album only adds further more to the quality that Phonte has been involved with throughout his career. Every verse, guest, beat, and word recorded on here means something. Not a second of space is wasted over 12 tracks that touch on everyman tales, dope emceeing, and a bit of fun. Everything you come to love about this artist is on full display at his best.
8. Tanya Morgan- You & What Army EP
I will continue to make a case for these guys as one of the best groups out period. With this latest release only further enforces that thought all the more. This is not just your average backpack rap, these guys are masters of their craft at this point.I have been a lifelong St Louis Rams fan, and I remember this game during the 1999 Super Bowl winning season where they were up by 3 I think against the 49’ers. They had the ball and pretty much had to run out the next 3 minutes of clock and the game was theirs to win. What did they do? They gave it to Marshall Faulk(who was the best player in the league this year by far) every down, and first down after first down, he kept going forward. Everybody on the opposing side knew it was going to him, but there was nothing they could do. This is how I see this EP. The duo have the ball right now and are about to secure a win. No matter the what the defense throws their way they keep coming at you with another 1st down. Track after track they deliver with this one, with one of the best titles ever as well that says it all. These guys aren’t playing.
7.Tiron & Ayomari- A Sucker For Pumps
As I’ve grown older I find myself at times seeing how male-dominated hip-hop is. Besides the typical “ladies-jam” which usually paints pictures of male conquest, their is little for the female audience to gravitate to material wise for the opposite sex. This album right here though does a lot to bring more balance to the scale (though we do need more female voices in the music). What has consistently been a recommendation to women, isn’t just your typical palate of love songs with R&B songs, it’s an acknowledgment of the beauty, the recognition of the work that goes into their preparation everyday (for us), and what we as men don’t understand about them as well. Yes, there is rapping on here, and the musical backings are almost as beautiful as the subject behind the inspiration,as well as a spoken word moment from one hip-hop’s most acclaimed journalist Dream Hampton, it’s a good look for the genre and overall a step forward in the right direction.
http://thecafeterialine.bandcamp.com/album/a-sucker-for-pumps
6. tUnE-yArDs-W H O K I L L
When I look back in life, and think about how there was a period where a former SNL member who I never thought was all that funny to begin with in the entertainment industry got a show and his house band happened to be one of my favorite bands all time. The band leader and drummer of this band is a self—proclaimed music snob and as a result help book performances from a lot of lesser known indie acts that beyond the“hipster blogs”. I end up liking a lot of the performances as a result, and from time-to-time I tune in to catch in on the show when I can, or just watch clips online of the performances.
The tune-yards were one of the said acts, who I caught on the show this year. The performance for Gangsta was incredible. I am a sucker for drums(as that is the instrument that I first learned), as much as the horns. Plus they had this primal aspect to their music, with the lead singers voice that caught my attention right away. Come to find out they are based out of Oakland, California(I was born in the bay so that's automatic love). The album W H O K I L L(the spaces between the letters make me wonder if she chats online w/ Blu ever?) is a mixture of a lot of African styles of music, and as well as the African-American styles as well. It's no where near light, it's actually pretty in your face, and violent, but lo-fi enough that the cool kids could dig it as well.
I never thought there would be a day when I would be glad that Jimmy Fallon hosted a late night show, but because of music like this, I must say thank you.
5. Shabazz Palaces-Black Up
“Trouble is, Black Up sounds nothing like any other hip-hop record around, and often borrows from ambient music, electronica, jazz, drone, and so on.”-Charlotte Richardson Andrews The Guardian June 24, 2011
This quote above captures the trouble I have describing this album. It’s a mixture of a lot of things, and has a dope artist at the helm of the project(Ishmal Butler formerly a member of Digable Planets & Cherrywine) and yet it’s hard to categorize the sound. Entire songs switch up at a whim, musical elements from random genres pop in and out, and somehow this all can coexist for a little over thirty minutes. How this is all managed while sounding so dope will continue leave you scratching your head. This is music built to reward the listener if the listener pays attention.
4. Rapheal Saadiq-Stone Rollin
Some how Saadiq seems to consistently get overlooked in today's music world. Not saying that he isn’t playing sold out shows around the world, but when the conversations begin about who are some of the best artist in music today, you seldom hear his name mentioned. I sadly, even as a long time fan, fell victim to this virus and upon hearing of the release of this album, didn’t rush out to listen to it(maybe that has more to do with my changing consumer habits), nor did I sing praises after listening to it. Which was strange, cause I remember the really liking it, just never replayed it really. Even when bringing this up LP up to Bobojojo had forgotten about this(even though he was the first one to tell me about the release), during the one of our discussions about this years in music. Yes the forgot about Rapheal Saadiq syndrome.
Well luckily, I found a cure, scrolling through my iPod wheel when I began writing this I saw the LP again and said to myself: why haven’t I listened to this more? It picks up where The Way I See left off, except this time it’s a little more cohesive, and is leans more towards the sounds of early blues rock, and rock n’ roll(Remember Chuck Berry, and Little Richard influenced The Beatles not the other way around), rather than the Motown-influenced sound of the last. Where last album was good, it seemed like it there were slight hiccups(and a weird Jay-Z remix) that made it more like a compilation rather than album at some points. Learning from the (very)few mistakes of the last project, Stone Rollin' cruises along a lot more smoothly, not allowing you any reason to even consider pressing that skip button(unless of case it’s that time of night and everyone wants to play drunk DJ music player). One of the most brilliant musicians/artist over the last three decades seems to have found his own groove with the genre, and instead of trying to cater to audience who wants Ke$ha hits, he caters to the music that inspires him and quietly continues to do justice to one of America’s greatest contributions to society(rock n’ roll).
3. The Roots- Undun
I'm not even going to front, I was waiting to hear this before I finished this list. I owed it to the group to at least give them a listen after delivering one of my top three favorite records from last year last year(as well as just being one of the dopest bands in music). You want to know how good this album is, when I first listened to it after the last track, I sat in silence for 15 minutes with the only thought on my mind being “wow!”(true story). So your asking how is this not the number one album of the year. Well as I mentioned in the beginning, the top 5 of this list could be interchangeable easily, and the lack of time I have to listen to the album and let it sit in my mind for a few weeks doesn't lend me to making that overall claim.
Never the less this is a great album. Especially for a concept album in a genre, where I can't name think of any besides those by Prince Paul's Prince Among Thieves(classic), Master Ace Disposable Arts(classic), and Sticky Fingers The Diary of Kirk Jones(gasp!!!). The last of which was something I don't like to publicly acknowledge I ever owned, but the rest were solid entry's which this one leans more towards. After 13 albums, you would think at some point you got to reach the coast mode. Where your not making bad music, but not experimenting as much, and just catering to the fan base. The Roots seem to be no where near this, as they continue to push the envelope.
2. DJ Quik-The Book Of David
I wrote a full review of this one for the Hip-Hop Isn’t Dead blog(A blog started that host huge collection of hip-hop album review ) earlier this year. One of he best releases this year is still a going strong on my iPod with the replays. A magnificently constructed masterpiece, this is no question his best album to date.
1. Blu- NoYork!
I’m very skeptical that No York! will ever be seeing a proper physical release. The same company that Prince was at war with for years, seems to have a made it a tradition to sign talent and keep it as bottled up as possible. Which is a damn shame, because NoYork! is one of this years best records. Leaked online mysteriously(some say Blu himself) in August, the record makes a great case on why Blu is one of this decades best artist.
Though it’s 1 of 5 releases (Her Favorite Color, Amnesia, J E S U S, & Open all being put out this year as well)this year, this by far exemplifies where not only the music can go, but where he is trying to take it. Yes, there is electro influence throughout, but it's not the type that you most likely are familiar with(little in common with the Pitbull, and Gaga glam you hear on the radio). Yes, there is also some of that classic boom-bap influence,some soul, funk, and jazz as well too, yet it doesn't sound like anything i've heard before. Somehow he is able to bring all this together as and mix it with his new love of lo-fi mixing and create one of this new decades best listens.
Warner Bros, might of dropped the ball on this one, They potentially had A Love Supreme, or Illmatic on their hands, and you instead want to treat it like an Murphy Lee(remember him?bActually do you still remember any of the St Lunatics and their ringleader Nelly at this point?) release. At the time of this writing have yet to have announced a solid release date*, but lets hope it does, it’s something that deserves to be discovered in the physical realm of music, and get a proper introduction to the public.
*But I am sure with some help from Google, you can still find the leaked version somewhere online.
My [Opinion] on Andreas Hale's Kendrick Lamar piece.
Sunday, July 10, 2011 at 10:19AM 
Read the above (hype)post here
He first goes on to describe 2008 as the year Hip-Hop entered the “Digital Age”. Why 2008? I don’t know, from what I remember Okayplayer which started in 2004 was trailblazing on this online hip-hop communities. If it wasn’t for sites such as Rappers I Know and the later mentioned I don’t think we would be talking about artist such as Phonte and 9th Wonder of Little Brother, Jay Electronica, Tanya Morgan, Black Milk, etc. That same year a new social network started rising in popularity called Myspace. This network created a way for artist to upload, share(spam), new fans with their music online without spending hundreds of dollars on a web designer, or subscribing to some pyramid scheme like scam disguised as a monthly hosting service/online record label. Some artist were able to even capitalize off from this site and gain notoriety and record deals (see: Asher Roth). As this site gained popularity and started reaching it’s platform peak around 2006 music blogs started poppin up everywhere as well. What once was just a source for news logs, became a voice for aspiring music journalist(and kids with too much time in high school) to write about and share the music they liked through across cyberspace. But according to Hale and his Digital Age origins, this wasn't even happening yet. We still got two years before the official age debuts, and Lil Wayne(whose Internet buzz started circulating two years before 2008 as well), Charles Hamilton, and Lil B the Base God all single handily almost combined to unleash more music songs/mixtapes/albums (although not too much quality) than anyone could of ever imagined.
Moving on he begins to talk about the over-saturation of rap music since this time(which I totally agree with if you didn’t catch from the end of the last paragraph) and list a few artist during this period who’ve been able to gain some notoriety and success. Drake is on this list of course, Curren$ey , etc. It was at this point I noticed to why he of designated the selected 08. It must be because he didn’t want to mention the one who help open the lane for people to start noticing the young black artist in LA county area again ... Blu. Who in 2006 thanks to bloggers(who didn’t have the impact they do now) had Questlove and critics alike singing praises about his LP with Producer Exile Below the Heavens. But I am not here to say who is better really, I am just wondering how you can write a piece stating someone is the best artist of this generation, and not mention someone who has met some similar successes from the same region? Nor is there mention of current blogger LA based favorite Tyler, The Creator,who love him or hate him, the kid has made some great music, and got a lot of fans and buzz now as well. Curious about this.
This is an opinion piece, so I will cut him some slack of not staying up on the emerging west coast scene. But then I come to the 2pac/Ice Cube comparisons (aka lazy music journalism) . I have stated before that I hate when people start explaining/defining artist by other artist. Such as when B.o.B was the next Andree 3000( don’t think as many are saying this now days). Let’s get one thing straight, Kendrick Lamar sounds exactly like Kendrick Lamar. Do I hear a little bit of Pac/Cube influence in that? A little(very little at that), But I detect a lot Hendrix in some of The Beatles later music, and no one says that they sounded like him today. The only reason we are talking about Kendrick as a standout is cause he has is own voice! Not similarities of someone else. He has his own set of goals, and influences that might stray from this path of those mentioned, and to be fair, you cannot predict ones future. He could quit rap tomorrow for all we know and be more like Bill Withers in the end. In other words as Doc Brown said to Marty Mcfly in Back To the Future Part III
“It means your future hasn't been written yet. No one's has. Your future is whatever you make it”.
The last thing that really was standout was the whole he did it with nothing but his team. If you are an artist who is in popular conversation right now. You did not do it without a co-sign/industry connect/someone dishing out some dough/ or a selling your soul to the devil like Jay-Z did(last ones a joke, though [King] MC Hammer wouldn’t find it so amusing.). Tyler had some former label guys with some major connects hook him up, Drake was rolling with Lil Wayne’s agents when Best I Ever Had single blew up, and so on and so on. Point is everyone has help. Nothing is wrong with that. If others are helping you while on the grind and they have some ways of getting you noticed, more props to you. But these PR fluff pieces that have these artist appearing out of no where from thin air to all this exposure is just bull shit basically. I remember the exact moment last year in November when this Lamar hype(outside of the 2dopeboyz ) originally took off to become what it is today. When during a LA radio interview Dr Dre( co-signed him(which a few years before he had co-signed another Cali artist by the name of Fashawn as well which people seem to forget). All of a sudden, a bunch of dudes had his name in their mouths from across the nation, Dudes that weren’t even up on game where talking bout wanting to book him for shows and such which is good for him.
Which I am sure it wasn’t by chance the Andre (old) Young got in contact with him. I am sure someone in his camp got in contact with Lamars camp, or heard a song and started pitching to Dre should peep him.,Oh yes! I remember it was most likely long time associate Kurupt who he Lamar was rappin with under the name of K.Dot a few years earlier. All makes sense.
It really is dis-hearting sometimes when i read pieces like this that do more harm than good to the artist. Yes it was a “bold” headline, which drew or is drawing lots of views to his site(which seems to have random ad links embedded on almost every other word and a more ...my god[in Pusha T voice]!). But what good does that do to Kendrick Lamar? His fans become more passionate online maybe and begin posting he is “the best” on some rap blogs comment section, which will make more haters, and others will flock to check out his music with these (unrealistic) high expectations only to realize... it’s not the best release this year(That in my opinion goes to another Compton emcee/producer who goes by DJ Quik. ), or to just click next on all future post about him altogether. Which if Mr Hale were to just simply state that he liked this new Section 80 album(which is actually pretty fresh/but I can name more than a few albums that I would point you to first), and write why, it would be more fitting. Being that after investigating more before writing I saw he had no music reviews on his site this year. Which means that his declaration means absolutely nothing. It’s easy to be declare the best when you’ve(so it seems) listened zero else. Which of course isn’t true, but to write something like this one would have some credibility this year with other artist release at least so we can see where your coming from more in your work.
I am glad you enjoyed the album as much as you did and I hope others do as well. It was a good listen for me as well. Let’s just tone down the sensationalism a bit next time.
Andreas Hale,
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music Top Twenty (DJ) Quik tracks
Tuesday, April 19, 2011 at 12:00PM 
Since I first heard Quik is the Name the spring of 1989, DJ Quik has stayed one of my favoirte artist. I remember almost nine years later when I saw a Circuit City ad for Rhytm-al-ism being released that the upcoming week and just smiling for like 3 minutes straight holding the ad. Some friends of mine a few months later even got me the promo poster for the album later that year(pause).
In celebration of his new album The Book of David being released today, I have selected for you 20 of my favorite tracks of his (which I been really debating over for the past few days). I left out any inclusions from his latest release (although from the few listens I had already to the album, at least 7 of those tracks would of been on this list) to more showcase the greatness that was. I also didn't put on any of the Quiks Grooves series, because It would be unfair to single out one and not the others(since they were all so good).
Without further ado I give you my Top Twenty Quik Tracks
20)DJ Quik-Americas Most Complete Artist: One thing that I always liked about Quik, was the funk that he brought to Hip-Hop. This track embodies his music like none other. Oh and the cuts on it are insane as well. Love this track.
19)DJ Quik ft B-Real-Fandango(Trauma): Trauma is my least favorite of his albums(not a bad thing), I just didn't find it to be as musical as some of the stuff he had done before that point and after. Though there were a few cool jams. The single featuring the standout Cyrpress Hill member B-Real is stays on my playlist though. The beat knocks, and the horn stabs are stupid sick.
18)DJ Quik ft Nate Dogg-Black Mercedes: These two were amazing together. They also had turned out the theme song as well from Chris Rock's Head of State movie(which was of course fresh) and seemed to be on a roll. Sad to think that they will never have the oppurtunity to work together again. R.I.P Nate Dogg
17) DJ Quik ft AMG, Mausberg & Sugafree-Down, Down, Down: Sugafree and Quik are like Snoop and Dre(if Dre was not so boring as a rapper), the two are untouchable together I could probably have easily put 10 tracks between the two alone. This track is ridiculous though. That bass line? Stupid...
16)Toni Tony Tone Ft DJ Quik-Let's Get Down: Two of my favorites right here. When this track came out, I was like a kid in the candy store. It's one of those things looking back that you just never will fully appreciate fully. It's two of the greats coming together and turning out something better than anything you might of hoped for.
15)Eightball & MJG ft DJ Quik- Jankey: I was always a fan of the Eightball and MJG. I remember my friend come over in college saying I needed to hear some tracks of the album. He intionally held this one out till the end, he knew I would go crazy on this. Jaw dropped, clean production on this one. One of the hidden production gems from his carreer.
15)Truth Hurts ft Rakim-Addictive: I was in LA for Spring Break in college and this song came on in the club I was at and I just had to find this who the arist was and who produced it. I searched for a month or two before it hit state-wide radio-rotation. I was even more ecstatic when I found out that Quik was behind it. Set the trend for Indian influenced production for sure.
14)DJ Quik-Pitch in On a Party: Was like a grown folks dance track right here. Some smooth uptempo type stuff to two-step too. This is the perfect theme song to describe my college weekends, and occasional party weekends to this dayl.
13)DJ Quik-I Don't Want To Party With You: The rhymes, beat, everything is so perfect. Funky, but fierce is the perfect way to describe this one.
12)DJ Quik ft 2nd II None, & EL Debarge-Hand and Hand : Some more grown folks type dance music. I love the fact that it has latin rhythems on it too. When you add El Debarage to all thats already been mentioned...wrap city!
11)DJ Quik ft Wayan Morris-50 Ways: Quik is often underrated as a lyricist. Some of my favorite verses from him ever on this one.
10)2 Pac ft AMG, & DJ Quik-Late Night: Thinking about it now Quik needs to work with Rick Ross. This is some epic-type, flashy, mafia, granduer music right here. Exactly the type of beats that Officer Ricky likes to pick. I know Heartz of Men is the one that everyone knows (a great beat in itself), but this one takes you to whole side of the world. It just sounds rich, like a Gala type party held overseas with a bunch of powerful people and models in attendance, chandeliers galore, mansions the works.
09)DJ Quik-Summer Breeze: One of my favorite summer songs. Every time I driving down the freeway somewhere in coastal California, this is the song gets played eventually.
08)DJ Quik ft Digital Underground & AMG-Do Whatcha Want: One of the more fun tracks in his catalog. I really wish Quik would've done more work with The DU crew. The combination between the two is so perfect. Funky as funk can be. The spirit of Parliament/Funkadelics were channeled on this track for sure.
07)DJ Quik-Safe + Sound: I remember seeing this video and hearing the song. I wanted to own this tape so bad. I couldn't(mom was so strict and I was in Jr High)at the time though. Best believe I borrowed it many of times from friends, or it was the first tape that I would throw on if I was at a friend's house if they had it in their collection. The talk box, synths, and hook as well is just so evil. Like you it's a bad guy kind of anthem. Yet funky, like it should have been in a blaxplotation film or something.
06)DJ Quik & Kurupt -9x's Outta 10: One of the hardest beats made since Clipse Grindn track. Kurupt is ridiculous on this. I hadn't heard that man rap like this in years! My god! The combo is ridiculous! The effects that fade in and out are crazy! Classic knocker right here.
05)DJ Quik-Dollaz + Sense:One of the best diss tracks to ever be recorded . These mild-mannered rap disses today have nothing on this. Just came right at MC Eiht and let him know what was up. Favorite line “E-i-h-t should I continue, yeah I left out the G cause the G ain't in you” boom!
04)DJ Quik & Kurupt-Do You Know: This beat sounds like heaven. I honestly feel like I am above the clouds every time I hear this track. Don't know what got into the man on this one. The oh and the Soul II Soul sample as well? Flipped it crazy, I really do believe that “DJ Quik is more gifted than Santa” when I hear tracks like this.
03)DJ Quik ft AMG-Trouble: When the landscape was changing, Quik came through with one of the best sinlges(if not song) of all time. That indian sounding guitar part is sick. As well as that clap in the drum kit. I have never heard clap sound so crisp. This song never gets old even with the mediocre AMG lyrics.
02) DJ Quik-Tonite: When ever I hear that synth lead-in, I know what track is about to play. This is one of those tracks that will forever keep me in love with Hip-Hop music. To this day I remember where I was when I first heard this song even. There was a boombox downstairs at these apartments where I these teenage girls who were daughters of my moms friend watched me. We were close to the pool and some guy friend of theirs had a bunch of tapes and such, and when this song came on I just was hooked on the grooves. I had no idea what he was talking about back then. Years later though, I know all too well.
1)DJ Quik Ft Mausberg, & Raphael Saadiq-Well: Before even hearing this album, I remember reading the early reviews for Balance & Option's and every one of them kept hyping this track. On my Sony Discman that spring day the album came out, I got to this song and ..I don't know what to say still. It's one of the most positive songs in Quik's catalog for one. Then you get the string arrangement assistance from Saadiq as well. Beautiful music right here. Anytime I listen to this song it's ike Frank Costanza would say “Serenity Now!”.
Digital Underground,
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Songs,
The Book of David,
Truth Hurts,
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